OVERVIEW: Anonymous Was A Woman provides unrestricted grants to female artists over age 40, in recognition of those artists’ accomplishments, growth, and quality of work.
IP TAKE: Anonymous Was A Woman’s grants are a big deal at $25,000 for unrestricted funds, primarily earmarked for visual art, but also bleeding into film and some performing arts. They’re also a big deal because nobody knows who funds them, or how the granted artists are selected.
PROFILE: Anonymous Was A Woman's name works on multiple levels. Lifted from Virginia Woolf’s A Room of One’s Own, it provides grants to female artists over the age of 40—an often overlooked and under-supported group of creators.
The name also refers to the funder’s complete anonymity, a feat since grants have been dispersed since 1996 with the number of artists supported closing in on 200. Presumably the bankroller is known by Philanthropy Advisors, who administrates the award, very few others seem privy to the information. The New York Times even investigating, concluding only that “those who know the donor would say only that she is a woman who lives in New York and is an artist, though not a famous one. No one knew the source of her fortune or its extent.”
The vast majority of previous winners (all of the previous grantees can be found on Anonymous Was A Woman’s website) work in the visual arts, albeit across a wide range of expression, from painting to video installation. A much smaller group work in film or performing arts (namely theater), though those artists’ work tend to be multi-disciplinary in format.
The nominators (made up of art historians, curators, writers, and previous winners) are anonymous too, of course—that’s right, this is one of those where you can’t apply; the award comes to you. But if it does, the payout is a $25,000 unrestricted grant. Artist selection has nothing to do with need, but rather is based on an artist’s accomplishments, “artistic growth,” and quality of work. So this is one of those situations where, so long as you’re a female over the age of 40, keep producing, keep innovating, keep networking, and keep showing your work to as wide and diverse an art audience as you can.
- Lauren Katzowitz Shenfield, Program Director and Founder and Principal, Philanthropy Advisors