OVERVIEW: The Max and Victoria Dreyfus Foundation supports organizations where its grants “can make a big difference.” Funding priorities include the arts, the environment, health, housing and education.
IP TAKE: The Max and Victoria Dreyfus Foundation is an interesting blend of elusive and accessible. It does not have a mission statement, and it does not declare its areas of interest, instead stating it would rather keep its coffers open to organizations that make the most compelling cases for its support. But it is open to all 501(c)(3) organizations who can make that case and has an open application with no geographic restrictions.
PROFILE: The Max and Victoria Dreyfus Foundation was established in 1965 upon the death of Max Dreyfus, a pre-eminent publisher of American music for composers like Jerome Kern, George Gershwin, Cole Porter, Rogers and Hammerstein, and Lerner and Loewe. Dreyfus was also a founding member of ASCAP. The foundation seeks to award “grants to organizations for whom a small amount of money can make a big difference.”
The foundation does not declare a mission statement or a particular funding focus. In fact, it is intentionally vague in this respect, stating that it “does not establish funding priorities on an annual basis, but rather supports worthwhile activities for which an organization has made a compelling case to receive funding.”
A key element of grantseekers “compelling case” should be to establish why support from The Max and Victoria Dreyfus Foundation will make a big difference. The foundation views its grants as small ones (the typical range is $1,000 - $10,000) but it still wants to have a big impact on grantseekers’ ability to execute.
The foundation is also open-minded about how its funds could be used and will provide general operating support and contribute to capital campaigns in addition to giving program support—to organizations anywhere in the U.S., so long as they are a 501(c)(3).
Past Max and Victoria Dreyfus Foundation’s music grantees include: $15,000 to the New Orleans Musicians’ Clinic and Assistance Foundation (New Orleans, LA) for general operating support, $10,000 to the Napa Valley Festival (Yountville, CA) for its Festival del Sole, $9,200 to the Pilgrim Area Collaborative (Pembroke, MA) for its Music Therapy program, $7,500 to Opera Lafayette (Washington, DC) for audience development, $6,000 to Augustana Arts (Denver, CO) for its City Strings program, $5,000 to Tribeca New Music (New York, NY) for its Young Composer Competition, $5,000 to Wolf Trap (Vienna, VA) for program support, and $3,500 to the Manassas Symphony Orchestra (Manassas, VA) for program support.
The Max and Victoria Dreyfus Foundation has an open application process with two deadlines, May and November.
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