OVERVIEW: The Kurt Weill Foundation for Music supports performance, scholarly output and professional development related to the work and lives of Kurt Weill, Lotte Lenya and Marc Blitzstein.
IP TAKE: This is a niche funder, limited to performance and analysis of the work of three artists. But if your take on Weill, Lenya or Blitzstein engages new audiences or contextualizes their work in new or diverse ways, there’s an opportunity here for valuable support.
PROFILE: The Kurt Weill Foundation for Music is named for the famous composer of operas, musical theater, classical music and film scores, with a mission to administer, promote and perpetuate the legacies of Kurt Weill and Lotte Lenya (a celebrated actress and singer, and Weill's wife). Though not formally written into the foundation’s mission, the foundation now also supports the work legacy of Marc Blitzstein, a successful composer in his own right who was also known for the English translations/adaptations of Weill’s works.
And while we’re happy to provide these brief summaries of these three artists, in truth if you aren’t already quite familiar with them, The Kurt Weill Foundation is likely not for you. The Kurt Weill Foundation Grant Program is solely focused on these three artists, funding performances of and scholarly research/educational initiatives pertaining to their works.
These grants are disseminated around the world, and fall into eight funding categories. The performance-related categories are Professional Performance, College/University Performance, and Media. The professional development categories are Research and Travel, Publication Assistance, Scholarly Symposia/Conferences, Educational Outreach, Community Engagement, and a Kurt Weill Dissertation Fellowship.
The Professional and College/University Performance categories are the most widely distributed, with multiple grantees each year. This is reinforced with the foundation’s focus on “building upon the legacies” of these artists by nurturing talent—“particularly in the creation, performance, and study of musical theater in its various manifestations.”
But no matter which funding bucket you fit into, keep in mind that the foundation seeks to support work that “fosters understanding” of these artists’ work and their lives “within diverse cultural contexts.”
Applications for these grants are rigorously assessed. In addition to foundation staff, an independent review panel also chimes in (often requesting additional support materials or information from potential grantees). Applications are reviewed not only for the potential quality of the project, the evidence of the grantee’s previous achievements and the capacity to see the project to fruition, but also for the project’s potential reach and impact. “Reach” refers to the size of an audience, quality of the engagement, and potential mutual introduction—new audience and performers being introduced to these artists’ works (particularly their “lesser-known” ones). “Impact” refers to advancing “the understanding and appreciation” of the artists “oeuvres,” be it through performance or scholarship—including approaching the work or topic in a way “not previously explored.”
Recent professional nonprofits receiving performance grants from The Kurt Weill Foundation for Music typically range $8,000 - $30,000. Recent theater grantees include Lyric Stage (Irving, TX) for its production of Weill's Lady in the Dark, The John F. Kennedy Center/Washington National Opera (Washington, DC) production of Weill's Lost in the Stars, and the Bronx Opera Company (Bronx, NY) for its production of Blitzstein's Regina.
Recent college/university performance grants typically range $4,000 - $12,000. Recent grantees include the Illinois State University (Normal, IL) production of Weill's Street Scene, The New School (New York, NY) production of Weill's Happy End, and University of Maryland's (College Park, MD) production of Blitzstein's Regina.
Additional performance grantees, as well as those for professional development (with grant amounts typically ranging $1,000 - $3,000), can be found here.
The Kurt Weill Foundation for Music has an open application with a November deadline for all projects and performances taking place the following calendar year. (There is an additional June deadline for colleges/universities seeking a performance grant for the following fall semester).
It’s also worth noting that if you’re a “major” professional theater production, festival or exhibition, or a long-term, large scale educational project, you need not adhere to the November deadline at all. The foundation considers this potential level of performance scope (and funding) to be sponsorship rather than grant making; you may therefore submit an application at any time—though they request you reach out to them “well in advance of the event.”
And if you’re an individual performer—rather than a nonprofit theater organization—you’re not left out of the equation either. The Kurt Weill Foundation for Music also has a series of performance and scholarship prizes and fellowships, though they place more emphasis on the music side of the equation than its theater aspects.
- Kim Kowalke, President and CEO