By focusing solely on making capital grants that build capacity, the Bothin Foundation takes a refreshingly different—and enormously useful—approach to funding direct service nonprofits that support theater programs. While this foundation limits its grants to the Bay Area, foundations and funders immersed elsewhere could serve their community's theater and performance arts organizations in similarly meaningful and impactful ways.
Some background: the Bothin Foundation is a long-standing institution, established back in 1917 by Henry E. Bothin, a San Francisco-based “Philanthropist of Steel.”
These days, the Bothin Foundation (pronounced "bo-THEEN") provides support for social services, education, the arts and environmental programs that substantially engage with low-income families and youth, or individuals with disabilities. When it comes to the arts—and therefore theater—this can often be easily categorized as "arts education." But there are other possibilities as well, in the area of audience outreach and beyond, in part because of the foundation's giving niche.
That niche is a wonderful one: The Bothin Foundatin is wholly committed to providing capital investment grants intended to build the capacity of the nonprofit being funded. Examples include building improvements, vehicles, equipment and technology infrastructure (especially if it’s directly used by program participants).
In a 1999 interview, Lyman Casey, the foundation’s media-shy President of the Board of Trustees, noted, “We give some of the least sexy grants probably ever done.” He cited septic tanks as an example, and added, “We're probably the only foundation to ever do that!”
That point of pride for being unsexy is because the Bothin Foundation understands need. Its application—which is open to all who are eligible, three times per year—doesn't explicitly ask about outputs, outcomes, or measurement/evaluation systems, as so many funders do. Rather, because the Bothin Foundation is looking to fund “durable” investments that “directly impact clients,” and projects that are immediately necessary or time-sensitive, it asks applicants to address its program in that context.
In the theater world, recent Bothin grants include $32,851 to the San Francisco Playhouse for handicap accessibility renovations. It also gave $4,000 to Hillbarn (Foster City) to purchase a hearing aid loop system. Both of these grants specifically address the needs of disabled populations, but there are other ways to tap into the Bothin Foundation's support for infrastructure, as well.
The Bothin Foundation might enjoy some luxuries other funders do not. For starters, it is a family foundation, so it is not beholden to as many other entities as corporate foundations/giving programs are. Furthermore, as an established and widely respected philanthropic organization, it doesn't seem to worry about optics, and need not prioritize the quick marketing and press releases opportunities that could accompany newsier grants.
Not every funder has these luxuries, but nevertheless it would be ideal if every funder could find a way to address significant capital improvement needs of theater programs.